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José María Yturralde (b. Cuenca, 1942) has conceived this exhibition with his latest works specially for our space in La Florida. In this project, the winner of the Premio Nacional de Artes Plásticas (National Award for Visual Arts) in 2020 seeks to unite, in his own words, "mythology, archaeo-astronomy, magic and symbolism, reflecting on current ideas about space, time, energy, matter, thus endowing them with soul and meaning".
Eón, 2019 (left) and Hygieia, 2021 (right)
The titles of the works that make up these Constellations invoke stars and celestial spheres, refer to both stars and gods from different religions and cultures (Egyptian, Greek, Japanese, Arab), linking the perception of celestial phenomena with their relationship to the cycles of nature and mystical beliefs. These spaces of meditation have the conciseness of expression and emotional intensity of a haiku, forming poetic dialogues with time, space and emptiness.
On this occasion, Yturralde has been inspired by these figures in the heavens and their cyclical movements to put together a harmonious ensemble, a constellation of paintings that takes his research into geometric shapes and colour-light further.
Mérope, 2021 (left), Zaniah, 2021 (middle), and Cygni, 2021 (right) - works from Enso Series -
Starting with the series Enso, his interest in the symbolism and transcendence of the circle has developed. In Zen Buddhism it evokes the universe, emptiness and infinity, while for other cultures it is associated with the concept of perfection and the sacred, of the beginning and the end.
Keb, 2021 (left), Byakko, 2021 (middle), and Satyt (Enso Series), 2021 (right)
The titles in the current exhibition invoke stars and celestial spheres, like some of those in Horizons, where he reflected on the sublime and contemplation. And while previous compositions embraced Eclipses and Twilights, his new works also include Abysses exploring the curved line.
Pléyades, 2021 (detail)
The jury of the Premio Nacional de Artes Plásticas recognised Yturralde's career "with its high level of experimentalism, connecting art and science, the outstanding quality of his research work on space and form, and his teaching work in the field of research into both mathematical and artistic parameters”. His work forms part of important collections at many Spanish institutions: the Museo Nacional Centro de Arte Reina Sofía and the Fundación Juan March in Madrid, the Museo de Arte Abstracto de Cuenca, IVAM and the Fundación Chirivella Soriano in Valencia, CAB in Burgos, the Museo Patio Herreriano in Valladolid, CAAC in Seville, Es Baluard and the Fundación Miró Mallorca. His works are also held by collections in the United States, Japan, Turkey, Brazil, Russia, France, Belgium, and Poland.
José María Yturralde (Cuenca, 1942) has been recognized by the jury of the National Prize for Plastic Arts for his “trajectory with a high level of experimentation that has connected art and science, and in which his work of spatial and formal research stands out, his teaching task in the field of research on mathematical parameters, along with artistic ones”.
In the jury of this prize given by the Ministry of Culture and Sports, María Dolores Jiménez - Blanco (general director of Fine Arts) has been the president and Carmen Giménez (deputy director of the State Museums) has been the vice president this year. The jury included Àngels Ribé (artist), Juan Carlos Moya (project manager of CEART Fuenlabrada), Manuel Fontán del Junco (director of the Fundación Juan March), José Luis Pérez Pont (director of the Comunidad Valenciana Consortium of Museums), Orlando Britto (director of CAAM Las Palmas), Begoña Torres (deputy director of Registers and Documentation of the Historic Heritage) and Susana Blas (curator).